A musical fountain is a type of animated fountain for entertainment purposes that creates an aesthetic design (including three-dimensional images). This is achieved by employing the effects of timed sound waves and timed light (including laser) against water particles. The water refracts and reflects the light, and in doing so, three-dimensional images can be produced.
Installations can be large scale, employing hundreds of water jets and lights, and costing into the millions of dollars, or in smaller household forms, where a budget of one thousand dollars is feasible.
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The earliest musical fountains were played manually by a live operator, who usually controlled pumps or valves and sometimes lights by way of switches on a control panel. Music was almost always live. Later, choreography could be prerecorded on a punched paper card which was scanned by a computer; and even later, it could be recorded on magnetic tape or, in the most modern shows, on a CD along with the music. Even so, the choreography is still usually painstakingly programmed by hand, some types of shows being played live from a control console and connected to a computer that records the operator's actions for later automatic playback. Recent advances in technology provides for unattended automatic choreography that can rival manual programming.
Péter Bodor was a Hungarian gadgeteer and mechanical engineer (born on June 22, 1788, died August 17, 1849) who built a musical or chiming fountain in the Transylvanian town of Marosvásárhely (now Târgu Mureş, Romania) between 1820 and 1822.
His fountain (see pictures here) had a round floor-plan, with two arched stairs on the sides, and a dome roof supported by pillars. The mechanical core was a hydraulic structure driven by the force of water that played popular chimes at every hour. There was a gilded Neptune (or Apollo) statue on the top, that turned round in 24 hours. The fountain was destroyed in 1836 by a snow storm, and was never restored. However, an almost identical copy was built in Budapest's Margit Island in 1936 that did not operated by hydraulic means, but used electricity instead. This latter was partly destroyed during the Second World War, but restored in 1954 and again in 1997. Now it is a tourist attraction that plays music at every hour during the day.
Prismatic Fountain, Denver, Colorado - May 30, 1908
"Mayor Robert W. Speer and F.W. Darlington, an engineer with the Denver Interurban Railway, dedicate the new marvel in City Park Lake--The Prismatic Electric Fountain. The Fountain features electric lighting effects that have not been seen before by the public. Eleven columns of brightly colored light stream through the dramatic changing patterns of water. High in the north tower of the City Park Pavilion, an operator sits at a roll top desk, moving levers to undulate the twelve sets of water features and make the columns of light change color to the sounds of the Denver Municipal Band."
F.W. Darlington was a pioneer in electrical fountain control as well as water design.
"Darlington had several signature water feature elements in his fountain designs. The multiple spray rings with "basket-weave" nozzle placement is one that shows up in photographs of several fountains, including some not yet credited to Darlington. The "fan" effect, a complicated triple spray ring with multiple nozzle sizes and angles is yet another water effect seen in several "Electric Fountains."
Prismatic Fountain, New Orleans, Louisiana - 1915
The Darlington fountain in New Orleans' West End and was likely completed around 1915 or 1916 as the last date on the original drawings are from February 1915. The fountain served as an icon for the West End Park and surrounding yacht clubs and numerous restaurants that were located in the area.
All of Darlington’s fountains required an operator to change the water effects and lighting and were likely used in conjunction with music played by a band or orchestra for special events. It is unknown if the fountain was operated in a static mode when there were no performances or if it was shut off.
Restoration of this fountain is planned by the Friends of West End in New Orleans.
Garfield Park, Indianapolis, Indiana - 1916
In 1915, the new greenhouses and conservatory were built. The dedication of the Sunken Garden took place October 29, 1916. In 1916, Darlington was hired to design and build the fountains at the east end of the Sunken Garden. The fountains were the first in the country to be equipped with the mechanics that allowed the changing of the spray and displayed lights, according to the season and holiday. For Memorial Day, the fountain's lights were alight with red, white, and blue, and on other days, gold and white. Today, the fountains are still an attraction for visitors. This fountain was restored by The Fountain People in 1997 and with a musical control system by Atlantic Fountains in 2003.
Pool of Industry, 1939 New York World's Fair
An early notable example of a musical fountain choreographed live was the Pool of Industry at the 1939 New York World Fair, where three operators controlled the fountain, guided by a paper program that unscrolled under a glass window like the paper roll of a player piano - rather than controlling the effects directly like a piano roll, it was marked with commands that told the operators when to push the buttons and throw the switches. This fountain was more than just water and lights, however. Besides 3 million watts of lights and a gigantic pool containing 1,400 water nozzles, there were over 400 gas jets with a mechanism that caused colored flames and fireworks were shot from over 350 launchers, creating a nighttime spectacle on a grand scale. Music was played live by the fair's band and broadcast by large speakers to the areas surrounding the display. The updated show displayed at the same fairgrounds in 1964 lacked the colored flames but used punched cards for the choreography, had prerecorded music, and utilized the then-revolutionary system of dichroic light filtering (developed by Bausch and Lomb for the fountain) which now allowed a dark colored lens and a light colored lens to produce the same brightness of light. It was by this process that 700,000 watts of light produced over 3 megacandelas. This show also had single lights with multiple sliding color filters for mixing colors, and arrays of nozzles that could be adjusted, their direction changed by hydraulic or pneumatic actuators.
The Dancing Waters style of water show is a linear display of pumps and lights. In the United States, similar fountains are the Musical Waters. Musical Waters shows use the basic Dancing Waters mechanics. The fountains use single-speed pumps and do not offer variable water heights, and the revolving nozzles are not present since the Dancing Waters design having been prone to jamming. Despite lacking the rotating nozzles that usually define this type of show, the Musical Waters shows are one of the few of this kind that still retain most of the simple elegance that defined Otto Przystawic's first fountains, including the visual attraction of the human element with live "fountaineers" controlling the effects.
Other United States based companies such as WET (Water Entertainment Technologies), Fontana Fountains, Atlantic Fountains, Fountain People, Formosa Fountains, Hall Fountains, and Waterworks International have built fully computer controlled musical fountains since 1980. These include two to six meter wide systems available to the homeowner as well as large corporate, municipal and show fountains in excess of fifty meters in length—and in the case of WET's Fountains of Bellagio, 9 acres (3.6 ha) in size. These include proportional, interactive and audio spectral control that bring musical fountains to a wide audience. Fountain shapes are not limited to linear layout stage shows but include geometric and freeform shapes as well. Moreover, latest technology allows the construction of Floating watershows. Fontana Fountains first introduced the use of Stainless Steel floaters allowing bigger water show applications even in coasts and lakes.
Manufacturers in the Near and Far East, in places such as India and Pakistan, also produce musical fountains. Many of them have updated the look with individually servomotor-controlled nozzles, large water screens on which video can be projected, and laser effects. Shows are built not only in the standard linear form, but in circular, semicircular and oblong shapes, in multiple pools, and many other layouts. In many places in India, a musical fountain is a must-have attraction for any city, and there will often be at least one local company ready to build them. Firms also rent shows.
Built for the Century 21 Exposition in Seattle in 1963, the International Fountain's original design had changing water and light patterns, with a background of classical music (though the patterns weren't specifically intended to be synched with the music.) The fountain was very large, designed as a concrete bowl around a 'moonscape' of broken limestone, at the center of which was a tiled dome studded with pointy black nozzles. The fountain was not originally designed for interaction but was redesigned in 1996 by WET to make the fountain more inviting, interactive and safe. Switching out the multicolored lights for white, WET added fog nozzles, a ring of their Shooters set into the pavers around the base of the dome, and four large SuperShooters hidden in the upper surface of the dome. The restored fountains behaves as its predecessor did for most of the day, producing changing water patterns as music plays, but it now marks each hour by bringing out other effects, like fog, and performs a choreographed show.
WET also designed the Fountains of Bellagio in Las Vegas, which are set in a manmade lake 1,000 feet (300 m) long with an area of 9 acres (3.6 ha). The fountain is formed as a pair of large concentric rings and a long, curved arc, and two smaller circles are attached to the arc near each end. Shooters outline all aspects of the layout, allowing for the arc and circles to rise as columns and curtains of water, as well as providing high-speed chase sequences. Re-engineered HyperShooters fire jets nearly 240 feet (73 m) into the air, and more recently added ExtremeShooters are capable of reaching heights of 500 feet (150 m). Needing a better way to define smoother passages of music, WET engineers developed the Oarsman nozzle, a robotic water jet that can be moved 120 degrees from side to side, to front and back, grouped with a pod of lights that follow the water stream. With the direction, water height, and light of every Oarsman controllable independently from every other Oarsman, a nearly infinite variety of patterns can be created on the lake. A fog generating device rises from beneath the water to blanket the entire lake with fog, and about 4000 individially controllable underwater lights follow the water patterns' precise movements, sparkling on the water or glowing through the fog. Performing to everything from opera to classical to broadway to pop, the Fountains of Bellagio run every day on the half hour, and every quarter hour during the evening. A team of dive-certified engineers are on-site at all times, maintaining the fountain's complex mechanical, electrical and hydraulic systems.
Despite the scale of such shows as the Fountains of Bellagio, these shows must still be programmed and choreographed by hand. Computers aid the process, but engineers must still spend weeks, sometimes months, on each new performance before it is ready to be placed in rotation with the other shows.
Branson Landing located in Branson, Missouri features a picturesque boardwalk along the Taneycomo Lakefront. The Landing's center attraction is the Town Square in which the $7.5 million spectacular water attraction, designed by WET, takes center stage. The fountains include dancing and blasting water shooters, blasting water up to 125 feet (38 m) in the air, fire, light and music.
One other notable fountain of the choreographed type is the Grand Haven Musical Fountain in Grand Haven, Michigan. Built in 1962 by volunteers and designed by a local engineer, this fountain was based on a Przystawic show seen in Germany and was the largest musical fountain in the world when it was built. The display comprises a small number of water formations grouped in odd and even segments, with the same formations on each. Augmented by curtains of water at the back and front, a large fanlike array called the Peacock, and three fire hose nozzles - one placed vertically in the center, and the others aimed at an angle from each end - the show produces a simple Dancing Waters style display. Colored lights are arrayed along the front of the fountain in individually controllable groups in red, blue, amber and white, and the back curtain and Peacock sprays have their own lights - green and yellow for the back curtain, and two sets each red, blue and amber for the Peacock. In addition, nozzles called "sweeps" provide the moving effects, swaying side-to-side. A patented drive mechanism allows each pair of sweeps to follow or oppose each other in direction of movement, to move along long or short paths, and to move at any of three speeds, allowing the moving water to follow nearly any kind of music. The original show used punched paper cards, though computers control the new system. The nozzles and pumps have never been changed, only cleaned and cared-for; and shows must still be programmed by hand. Even with the simplest of the many programs used to create shows for this fountain, choreographing one three-minute song can take anywhere from two to four hours. The Grand Haven Musical Fountain, still performs nightly, and is viewable from a grandstand on the waterfront in Grand Haven.
The largest musical fountain project in the world is the Dubai Fountain. It spans on a 30-acre manmade Burj Khalifa Lake. Designed by WET Design, the California-based company responsible for the fountains at the Bellagio Hotel Lake in Las Vegas. It includes 6,600 lights, 25 colored projectors, fog, and fire. It is 275 m (902 ft) long and shoots water 150 m (490 ft) into the air (equivalent to a 50-story building), accompanied by a range of classical to contemporary Arabic and world music. It was built at a cost of 218 million Dollars. The fountain was formally opened by Sheikh Mohammed bin Rashid Al Maktoum on May 8, 2009, along with the Dubai Mall. Situated in front of the Burj Khalifa, it is best viewed by the public from the Souk al Bahar or The Dubai Mall.
World of Color is a new nighttime show at Disney California Adventure Park, part of the Disneyland Resort in Anaheim, California. The entire show cost $75,000,000 USD to design, manufacture and build. The process of assembling, installing, and testing the show's numerous components and equipment in Paradise Bay spanned a period of approximately 15 months. It premiered on Friday June 11, 2010 as part of "Summer Nightastic!". Designed by Walt Disney Creative Entertainment, the show has more than 1,200 fountains and includes lights, water, fire, fog, and lasers, with high-definition projections on mist screens.
Located indoors in Nashville, Tennessee under a glass dome at the Gaylord Opryland Resort & Convention Center, this musical fountain features an 85-foot high center geyser surrounded by 68 vertical and 28 arching jets, each with its own RGB LED fixture, plus a fog system and 5 articulating color theatrical lights from above. The sophisticated system was designed by water feature specialists Aquatic Creations, Inc., and plays original music shows choreographed by H2Oarts.com, both of California. The Delta fountain is on a deck rather than in a basin, so it is possible to experience close enough to get lightly misted.
The Blackpool fountains, created by French company Aquatique Show International, are located at a well known theme park Blackpool Pleasure beach UK. The fountains dance every 30 minutes to a wide arrange or music. They opened in 2009 letting people run through them. In 2010 they stopped peopled going in them due to health and safety so now they have security guards when the show is on round the fountain. The fountain has 25 jets which can shoot up to 100 ft.
While all pre-programmed musical fountain shows involve computerized show control systems, the use of computer technology to spontaneously "self-choreograph" a fountain to random musical input is novel. Possibly the most sophisticated full-scale implementation anywhere, is on the Miracle Mile Shops Musical Fountain in Las Vegas, using a system developed by H2Oarts.com. Unlike conventional musical fountains, which must be manually pre-programmed moment-to-moment, the H2Oarts' Musical Water Feature Automation System uses the venue's own live background music to animate the water and lights in real time. Beyond basic light organ-style responses to loudness, bass, and treble, H2Oarts employs rhythm, dynamic range, and other subtler components of music to control water and light.